
Nobody influences urban-planning standards as decidedly
as the unequal architect pair from Basel. Jacques Herzog,
the versatile, Pierre de Meuron, the persistent, have
been an omnipresent brand ever since they converted
an old power station on the Thames into the Tate Modern
in the middle of the 1990s.
The two of them love to
surprise and to design unusual atmospheres with unusual
materials. And since they freed
themselves from the trap of minimalism, there has been
no stopping their expansion as regards content and form.
Whatever they build achieves cult status: whether the
Prada shop in Tokyo, the Philharmonic Hall on the Elbe
in Hamburg,
the Allianz Arena in Munich or the “Bird's Nest” in
Peking.
HdM, rewarded with the Oscar of their trade,
the Pritzker Prize, have made architecture the place
of pilgrimage
for the global elite.
The extension to the Hotel Astoria
is the first hotel project for Herzog & de Meuron:
It is a striking sculpture with deep indentations and
two faces.
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